I write crime fiction, so there are often references to when the crime occurred in relation to when in the story the discussion about the crime is taking place. “The girl with the blue hair, I saw her four days ago in the alley behind the curling club,” for example. Here’s my two-step, no-software-required process for ironing out timeline inconsistencies.
In Jessica Strawser’s debut Almost Missed You, two characters have a life-changing date at Cincinnati’s Lumenocity, an orchestra-curated light-show. Anyone remember the scene when Harrison Ford’s Richard Kimble slips into Chicago’s St. Patrick’s Day Parade to evade pursuers? How much more exciting does Pride and Prejudice become once the Bennett sisters have a ball to look forward to? Some of these events are more integral to plot than others, but all of them make the stories they’re included in more interesting as a result. Click the title above to continue reading.
I was watching Lady Bird recently. It’s summer in the beginning when the protagonist breaks her arm, and then a whole bunch of stuff happens, including Thanksgiving, and then cut to her cast being taken off, and I instantly had a sense of how much time has passed. Click the title above to continue reading.
Reading a book is like jumping on an exercise bike for the brain. The reason is because every sentence is a piece of information the reader needs to process. Some sentences are easier to absorb than others. For instance, a sentence that speaks about characters, themes, and plots the reader has already gotten to know doesn’t require as much processing as a sentence introducing new characters, sub-themes, or subplots. We want readers to keep pedaling and processing this new information, but as so often happens in books, there comes a point when the reader decides to take a break. Click the title above to continue reading.