Why I don’t default trust iconic authors #AuthorToolboxBlogHop

Granted there are exceptions, but in my experience, there tends to be a disconnect between the most iconic authors and the rest of us. And by disconnect, I mean the wealthier and more famous an author gets and the longer they’re at that level, the more out of touch they are with evolving worldviews and how to get from word one to book deal and beyond. Click the title above to continue reading.

Ableism in the writing community #AuthorToolboxBlogHop

The last two and a half years of my life have been a kind of painful hell. It took some doing, but I’m currently being worked up for a chronic Lyme diagnosis, and I’m finally getting treatment as a result, but my path out of pain is non-linear and uncertain. Now you have context for why I wrote this non-exhaustive list of writing advice that has a ring of ableism to it. Click the title above to continue reading.

Investigating writing advice given in absolutes #AuthorToolboxBlogHop

Once upon a time, I decided to write fiction. I consumed as many sources of craft advice (agent blogs, how-to-write books, author Twitter threads, etc.) as I could find. That advice often came in absolutes, as in, always write a certain genre in a certain tense, never start a story with a character waking up, and definitely don’t ever use -ly adverbs. Click the title above to continue reading.

I’ve got your list of responsible style guides #AuthorToolboxBlogHop

Writers write words to express, entertain, inspire, escape, empathize, honor, inform, persuade, profit, debate, overcome trauma, and more. But when we write words for readers, whatever our purposes or intentions, the effect is influence. We have the power to influence those who read our words, and with great power comes you know what. Click the title above to continue reading.

8 ways to invigorate silent beats in dialogue #AuthorToolboxBlogHop

As in real life, our characters sometimes need to pause and reflect on something before responding. This silent beat is often indicated with an ellipsis or the word finally, as in, “Yes,” she said finally. Nothing wrong with marking a beat this way, but here are some alternatives you can use to invigorate some of the beats in your dialogue.

How to people scenes like R. O. Kwon #AuthorToolboxBlogHop

A couple of years ago, my critique partner, with respect to the first chapter of one of my books, asked me why I had only described my setting according to its non-human characteristics. The scene was outside a palliative care facility during the day, so wouldn’t folks be visiting relatives? Click the title above to continue reading.

How to write abstractions as metaphorical physicality #AuthorToolboxBlogHop

While reading The Trouble with Goats and Sheep, I noticed that the author Joanna Cannon is a bit of a genius when it comes to lending physical traits to abstract concepts. To recap, metaphors are comparisons between two things, whether abstract or concrete, that share at least one commonality, whether abstract or concrete. Click the title above to continue reading.

How to make sure your book is social media quotable #AuthorToolboxBlogHop

From a marketing standpoint, we authors want to see our books mentioned and photographed by as many readers as possible, as many times as possible, across social media and the blogosphere. I, personally, am more likely to post about a book more often, if that book has one or more quotable passages. And by quotable passages, I mean passages that…Click the title above to continue reading.