I had the privilege recently of attending a Crime Writers of Canada webinar called Plots, Plants and Poisons led by Elaine Freedman. I enjoyed the webinar so much, I asked Elaine if she would share her resource list on the literary applications of poisons with my readers. She agreed (yea!) and her annotated list of books and websites follows. I’d like to stress that I’m posting this solely as a resource for writers who are or would like to write about poisons. Click the title above to continue reading.
There’s a scene in Gillian Flynn’s Sharp Objects that gave me goosebumps, except the action responsible for said goosebumps had nothing to do with the plot. Click the title above to continue reading.
In Jessica Strawser’s debut Almost Missed You, two characters have a life-changing date at Cincinnati’s Lumenocity, an orchestra-curated light-show. Anyone remember the scene when Harrison Ford’s Richard Kimble slips into Chicago’s St. Patrick’s Day Parade to evade pursuers? How much more exciting does Pride and Prejudice become once the Bennett sisters have a ball to look forward to? Some of these events are more integral to plot than others, but all of them make the stories they’re included in more interesting as a result. Click the title above to continue reading.
One of the hardest lessons I had to learn as a new writer was how to be okay with killing my darlings. What I determined was that while some of my darlings warranted murder-by-delete-key, others deserved a less permanent fate. I developed a two-step process to be able to refer back to all the darlings I’ve killed along the way. Click the title above to continue reading.
At the beginning of this year, I was ready to write the last 60,000 words of a novel. Me, my laptop, and my research were tucked away in a tropical paradise, but the words I was writing, they were reading like they’d been spewed out of a meat grinder. I decided to take the day off and finish the book I was reading instead. A few pages in, I realized I had no interest in finishing the book in question. The prose was uninspired, as was I. Click the title above to continue reading.
You’re stuck on a question about how to use a writing device, and off to the Internet/library/bookstore you go. Perhaps you stop after article number one, thinking certainly this must be the definitive answer, because this publishing professional has game to spare. She may well, but still your search should continue. Why? Click the title above to continue reading.
Reading a book is like jumping on an exercise bike for the brain. The reason is because every sentence is a piece of information the reader needs to process. Some sentences are easier to absorb than others. For instance, a sentence that speaks about characters, themes, and plots the reader has already gotten to know doesn’t require as much processing as a sentence introducing new characters, sub-themes, or subplots. We want readers to keep pedaling and processing this new information, but as so often happens in books, there comes a point when the reader decides to take a break. Click the title above to continue reading.