Marketers train their brains to think like their targeted consumers. Here are a few questions to ask yourself in order to get in the mindset of your future book buyers. Click the title above to continue reading.
The five methods I describe for brainstorming villains are most applicable if your manuscript or screenplay contains at least an element of the thriller, suspense, or horror genres. Click on the title above to continue reading.
How can you develop a self-guided marketing curriculum that A) is reasonable in terms of time commitment; B) involves the most relevant study material; C) teaches you enough to successfully market your books; and D) keeps you on top of marketplace changes? Click the title above to continue reading.
I’m a big fan of Kimberly Martin’s self-publishing advice and super pumped she agreed to guest post on my blog. Click on the title above for her list of eight self-publishing mistakes made by new authors.
We all have issues we care about, and anyone who tells you novels shouldn’t have agendas hasn’t read any lately. But how do we as authors plot issues into our manuscripts without coming off as preachy and one-sided? Here are five ways to prevent “preachy” from showing up in your future book reviews. Click the title above to continue reading.
The Internet is flush with editors. So I should be able to email my favourite genre matches, and they’ll jump at the chance to work with me, right? Not necessarily. Logic dictates that editors can only take on so many projects at a time. Editor Andi Cumbo explains how to put your best foot forward.
With so many options and only so many reading hours in the day, how do we as authors narrow to the most practical reading list? The logical side of my brain needed a way to sort the options, and the result is my list of the eight categories of books (and articles) we should be thinking about when determining our reading list. Click on the title above to continue reading.