A couple of years ago, my critique partner, with respect to the first chapter of one of my books, asked me why I had only described my setting according to its non-human characteristics. The scene was outside a palliative care facility during the day, so wouldn’t folks be visiting relatives? Click the title above to continue reading.
Increasingly, readers are photographing books and posting said photographs on social media and book blogs. This in mind, I asked my super talented photographer friend Sarah if there were qualities that could make one book cover not quite as photogenic as the next. She and I hit a bookstore to find out. Click the title above to continue reading.
While reading The Trouble with Goats and Sheep, I noticed that the author Joanna Cannon is a bit of a genius when it comes to lending physical traits to abstract concepts. To recap, metaphors are comparisons between two things, whether abstract or concrete, that share at least one commonality, whether abstract or concrete. Click the title above to continue reading.
From a marketing standpoint, we authors want to see our books mentioned and photographed by as many readers as possible, as many times as possible, across social media and the blogosphere. I, personally, am more likely to post about a book more often, if that book has one or more quotable passages. And by quotable passages, I mean passages that…Click the title above to continue reading.
I had the privilege recently of attending a Crime Writers of Canada webinar called Plots, Plants and Poisons led by Elaine Freedman. I enjoyed the webinar so much, I asked Elaine if she would share her resource list on the literary applications of poisons with my readers. She agreed (yea!) and her annotated list of books and websites follows. I’d like to stress that I’m posting this solely as a resource for writers who are or would like to write about poisons. Click the title above to continue reading.
There’s a scene in Gillian Flynn’s Sharp Objects that gave me goosebumps, except the action responsible for said goosebumps had nothing to do with the plot. Click the title above to continue reading.
I write crime fiction, so there are often references to when the crime occurred in relation to when in the story the discussion about the crime is taking place. “The girl with the blue hair, I saw her four days ago in the alley behind the curling club,” for example. Here’s my two-step, no-software-required process for ironing out timeline inconsistencies.