You might have noticed that a 9,000-member literary organization has been in the news since it wrongfully censured author Courtney Milan on December 23, 2019. I’m a member of that organization and a white woman, and I am still watching as other members who are also white women, over and over again, refuse to believe women of color. Click the title above to continue reading.
As in real life, our characters sometimes need to pause and reflect on something before responding. This silent beat is often indicated with an ellipsis or the word finally, as in, “Yes,” she said finally. Nothing wrong with marking a beat this way, but here are some alternatives you can use to invigorate some of the beats in your dialogue.
Author Melanie Greene wants your thoughtful suggestions for her document, Changing the Romance Genre for the Better. As I moderate the comments for anything that could make this space unsafe, I’ll be erring on the side of caution. After Melanie incorporates feedback, I will post the revised document here. Thanks and happy reading! Click the title above to continue reading.
Below is a list of ways you can de-emphasize or delete some of the smaller characters in your manuscript. Click the title above to continue reading.
A couple of years ago, my critique partner, with respect to the first chapter of one of my books, asked me why I had only described my setting according to its non-human characteristics. The scene was outside a palliative care facility during the day, so wouldn’t folks be visiting relatives? Click the title above to continue reading.
Increasingly, readers are photographing books and posting said photographs on social media and book blogs. This in mind, I asked my super talented photographer friend Sarah if there were qualities that could make one book cover not quite as photogenic as the next. She and I hit a bookstore to find out. Click the title above to continue reading.
While reading The Trouble with Goats and Sheep, I noticed that the author Joanna Cannon is a bit of a genius when it comes to lending physical traits to abstract concepts. To recap, metaphors are comparisons between two things, whether abstract or concrete, that share at least one commonality, whether abstract or concrete. Click the title above to continue reading.