In Jessica Strawser’s debut Almost Missed You, two characters have a life-changing date at Cincinnati’s Lumenocity, an orchestra-curated light-show. Anyone remember the scene when Harrison Ford’s Richard Kimble slips into Chicago’s St. Patrick’s Day Parade to evade pursuers? How much more exciting does Pride and Prejudice become once the Bennett sisters have a ball to look forward to? Some of these events are more integral to plot than others, but all of them make the stories they’re included in more interesting as a result. Click the title above to continue reading.
Easily avoidable misunderstandings as a device to create conflict, whether reading or watching it, I dislike this so much, it elicits an eye roll from me every time. The conflict just doesn’t feel logical. And because I’m aware that I don’t like this, I’m (hopefully) careful not to let this or any other of my literary pet peeves happen in my own writing. Click the title above to continue reading.
You’re stuck on a question about how to use a writing device, and off to the Internet/library/bookstore you go. Perhaps you stop after article number one, thinking certainly this must be the definitive answer, because this publishing professional has game to spare. She may well, but still your search should continue. Why? Click the title above to continue reading.
Reading a book is like jumping on an exercise bike for the brain. The reason is because every sentence is a piece of information the reader needs to process. Some sentences are easier to absorb than others. For instance, a sentence that speaks about characters, themes, and plots the reader has already gotten to know doesn’t require as much processing as a sentence introducing new characters, sub-themes, or subplots. We want readers to keep pedaling and processing this new information, but as so often happens in books, there comes a point when the reader decides to take a break. Click the title above to continue reading.
A creative writing teacher gave my class some advice I’ll never forget: when it comes to story ideas, it’s best to ride around on the bus with it. In other words, take time to process and decide if it’s the best story and/or story direction. In my mind, there are two types of riding-around-on-the-bus-with-it: intentional and unintentional. Click the title above to continue reading.
A change of venue gets my creative juices flowing, helps me focus without all the usual distractions, and gives me incentive to write toward concrete goals. Basically, it’s great for everything except my wallet. Here are my budget writing retreat options. Click the title above to continue reading.
In my opinion, the editor is always right . . . about the existence of a problem. What they’re less often right about IMHO is identifying exactly what the problem is, nor are they always right about what the best solution is, nor is it always a problem that should be fixed. Click the title above to continue reading.