One of the hardest lessons I had to learn as a new writer was how to be okay with killing my darlings. What I determined was that while some of my darlings warranted murder-by-delete-key, others deserved a less permanent fate. I developed a two-step process to be able to refer back to all the darlings I’ve killed along the way. Click the title above to continue reading.
When on the lookout for critique partners, a genre match is important and you should have at least one, but it isn’t always the most important factor. Take a look at the nine criteria below, and the next time you’re scouting for a new CP, you may want to consider placing more emphasis on the eight that come after genre. Click the title above to continue reading.
Reading a book is like jumping on an exercise bike for the brain. The reason is because every sentence is a piece of information the reader needs to process. Some sentences are easier to absorb than others. For instance, a sentence that speaks about characters, themes, and plots the reader has already gotten to know doesn’t require as much processing as a sentence introducing new characters, sub-themes, or subplots. We want readers to keep pedaling and processing this new information, but as so often happens in books, there comes a point when the reader decides to take a break. Click the title above to continue reading.
Family and friends are great, but they don’t understand author milestones, nor do they understand what it takes to achieve them. And when we fall, they don’t have the first clue about how to help us up. This is why, authors, we need to stock our author communities. Because when it comes to being an author, family and friends a cheerleading section do not make. Click on the title above to continue reading.
We all have issues we care about, and anyone who tells you novels shouldn’t have agendas hasn’t read any lately. But how do we as authors plot issues into our manuscripts without coming off as preachy and one-sided? Click the title above to continue reading.