When on the lookout for critique partners, a genre match is important and you should have at least one, but it isn’t always the most important factor. Take a look at the nine criteria below, and the next time you’re scouting for a new CP, you may want to consider placing more emphasis on the eight that come after genre. Click the title above to continue reading.
Interviewing has played a large role in my career as a journalist and marketer, and now, as an author. Sure, I still get all flustered when I’m reaching for a big interview, but for the most part, the fifteen tips and techniques below work for me. Click the title above to continue reading.
I share Twitter pitch party tips, some general etiquette, as well as a free Excel/Google Docs template in which I’ve already added character counting formulas. Click the title above to continue reading.
My first editor, back before I switched genres, gave me some advice about believability issues in my manuscript that I’ll never forget. Click the title above to continue reading.
Marketers train their brains to think like their targeted consumers. Here are a few questions to ask yourself in order to get in the mindset of your future book buyers. Click the title above to continue reading.
The five methods I describe for brainstorming villains are most applicable if your manuscript or screenplay contains at least an element of the thriller, suspense, or horror genres. Click on the title above to continue reading.
The trick to finding peripheral sales channels is to think, “Where would my book complement what is already being sold?” Click the title above to continue reading.