One of the hardest lessons I had to learn as a new writer was how to be okay with killing my darlings. What I determined was that while some of my darlings warranted murder-by-delete-key, others deserved a less permanent fate. I developed a two-step process to be able to refer back to all the darlings I’ve killed along the way. Click the title above to continue reading.
Test screening is to films what beta reading is to books. In film, studies are being done on technology that can gauge a test screen audience’s neuro and biometric responses. Suffice it to say, when this technology proves viable, I will not be able to afford it. But that doesn’t mean that I don’t want a way to know which parts of my books make people laugh, cry, or want to throw their e-reader against the wall. Click the title above to continue reading.
You’re stuck on a question about how to use a writing device, and off to the Internet/library/bookstore you go. Perhaps you stop after article number one, thinking certainly this must be the definitive answer, because this publishing professional has game to spare. She may well, but still your search should continue. Why? Click the title above to continue reading.
The Internet is flush with editors. So I should be able to email my favorite genre matches, and they’ll jump at the chance to work with me, right? Not necessarily. Logic dictates that editors can only take on so many projects at a time. Editor Andi Cumbo explains how to put your best foot forward. Click the title above to continue reading.