As a frequenter of book readings and author workshops, I’ve sometimes noticed a moment when the author loses part of their audience, the part that cares about how the author is reacting to questions. Perhaps the author becomes dismissive, defensive, passive-aggressive, or skirts the question entirely. Below is a list of common question types with example answers that can leave an aftermath of negativity as well as alternatives to keep audience members in that book-buying zone. Click the title above to continue reading.
I feel like it’s the job of every high school math teacher to drone on about how no matter a student’s desired profession, they’ll need math, and it’s the job of every right-brained student, myself included, to believe that teacher is lying through their teeth. Years later, I found out that marketing is intertwined with so much math, I had to take seven courses steeped in numbers before they would give me my diploma. Click the title above to continue reading.
With only two characters, we can get away with less dialogue tags and cues—also referred to as character, emotion, or action beats—because if we know who’s speaking first, we can intuit that the next pair of quotes encloses dialogue from the only other character in the scene. But with groups of more than two speakers, scenes can become cluttered with dialogue tags and cues, which can make a passage more stilted than it needs to be. Here are three techniques that can help. Click the title above to continue reading.
When on the lookout for critique partners, a genre match is important and you should have at least one, but it isn’t always the most important factor. Take a look at the nine criteria below, and the next time you’re scouting for a new CP, you may want to consider placing more emphasis on the eight that come after genre. Click the title above to continue reading.
Marketing research is accomplished in five steps, step three being what I workshop in this post for three pieces of the author platform. Click the title above to continue reading.
You’re stuck on a question about how to use a writing device, and off to the Internet/library/bookstore you go. Perhaps you stop after article number one, thinking certainly this must be the definitive answer, because this publishing professional has game to spare. She may well, but still your search should continue. Why? Click the title above to continue reading.
Reading a book is like jumping on an exercise bike for the brain. The reason is because every sentence is a piece of information the reader needs to process. Some sentences are easier to absorb than others. For instance, a sentence that speaks about characters, themes, and plots the reader has already gotten to know doesn’t require as much processing as a sentence introducing new characters, sub-themes, or subplots. We want readers to keep pedaling and processing this new information, but as so often happens in books, there comes a point when the reader decides to take a break. Click the title above to continue reading.